With the drawing of this Love and the voice of this Calling
We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown remembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree
Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
Quick now, here, now, always -
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well
When the tongues of flames are in-folded
Into the crowned knot of fire
And the fire and the rose are one.
This is the end of Little Gidding, the fourth and final poem of T.S. Eliot's Four Quartets. I had not read T.S. Eliot before, something that may be thought strange - or then not. He is of course one of the most influential figures in 20th century literature, but on the other hand, while school students in the English-speaking world would be likely to have some of the English literature greats, including Eliot, in their English classes, in Finnish schools the emphasis is on native writers (as in the German-speaking world on German authors, in France on French authors and so on). But I picked up Four Quartets at the library some time ago, motivated by hearing a radio adaptation of the Michael Hastings play Tom and Viv, about T.S. Eliot and his first wife Vivienne Haigh-Wood (the radio play itself I listened to out of a very shallow motivation: because it had Benedict Cumberbatch as Eliot - the man's got a voice you know). I went to the library to get any T.S. Eliot in original language and happened to find Four Quartets.
Now that I have read it, I find I HAVE to read T.S. Eliot and especially the Four Quartets. His poetry is not easy, but I feel I have to read it. Not because of his position in 20th century literature, but because of a kind of a hunger for the words. I don't necessarily need to read studies which explain all the references or which offer theories and explanations. More I want to read again and again, all in one or one poem or part of a poem at a time, to marvel at and follow the language and find my own meaning in the poems - or perhaps not, never entirely. Perhaps in part they will remain a mystery to be marveled and wondered about. Who knows, and I'm not sure it matters. I put in an order for an edition of Four Quartets to have it at hand whenever I want, and I suspect it will be something I will return to again and again. Never have I been more happy about how good my English is.
MERRY CHRISTMAS OR HAPPY HOLIDAYS TO ALL!




